Not only Water, Wires Reinicke is not only prolific in terms of her artistic interpretation and inspiration with regard to her works on paper, wall drawings, poetry and paintings, photos or collages. With her video works, she lets her own reality in Jerusalem and the surroundings proliferate into the eyes of her spectators. Eventually, not only the eye of the spectator keeps hanging on the gratings. The ears are suffering from the voices of that nauseating music that the wind is playing with the barbed wire. The space is becoming more narrow; there is no mental freedom left. There seems to be no hope shimmering through, until Reinicke finally soaks the wires with the saving power of water… FAZ, Jörg Bremer, 2004