Galerie ArtMbassy (2005) There is an exploration in these works in which Reinicke takes her starting points to new scales and articulations, pushing it to its limits as though in an attempt to strip it to its essence. The artist reduces all detail into simple line and the elimination of shadows does away with established forms of representation so that three dimensionality is achieved via the concave and convex of the line and through tension of the line and the surrounding voids. The drawing of the line becomes an act of soul searching as the artist’s hand flows and travels across these spaces; the line leads the artist’s hand transforming the drawing in progress. The act of drawing and the process of making these works were a very important part of their realization. Tina Sherwell, Jerusalem