Red Structured Landscape (1996–1997) The artistic process starts in a traditional manner with paintbrush and individually mixed acrylic paint which is applied to the tape in the form of red dots and ocre coloured paintstrokes. But this is merely the starting point of a technical game which involves photographing the painted tape and scanning it onto the computer screen in order to create the Red Structured Landscapes… Bonner Rundschau, Heidrun Wirth, Bonn 1998

Red Structured Landscape II-14, 1996

Acrylic and pigment on cream wove paper
50 x 65 cm | 20 x 24 inch

Red Structured Landscape II-17, 1996

Acrylic and pigment on cream wove paper
50 x 65 cm | 20 x 24 inch

Red Structured Landscape II-1, 1996

Acrylic and pigment on cream wove paper
50 x 65 cm | 20 x 24 inch

Red Structured Landscape II-22, 1996

Acrylic and pigment on cream wove paper
50 x 65 cm | 20 x 24 inch

Red Structured Landscape II-20, 1997,

Acrylic and pigment on cream wove paper
50 x 65 cm | 20 x 24 inch

Red Structured Landscape II-25, 1997

Acrylic and pigment on cream wove paper
50 x 65 cm | 20 x 24 inch

Red Structured Landscape III-22, 1996

Acrylic and pigment on cream wove paper
42 x 57 cm | 16 x 22 inch

Red Structured Landscape III-2, 1996

Acrylic and pigment on cream wove paper
42 x 57 cm | 16 x 22 inch

Red Structured Landscape IV-7, 1996

Acrylic and pigment on cream wove paper
42 x 57 cm | 16 x 22 inch

Red Structured Landscape IV-12, 1996

Acrylic and pigment on cream wove paper
42 x 57 cm | 16 x 22 inch

Red Structured Landscape IV-18, 1997,

Acrylic and pigment on cream wove paper
42 x 57 cm | 16 x 22 inch

Red Structured Landscape IV-32, 1997,

Acrylic and pigment on cream wove paper
42 x 57 cm | 16 x 22 inch

Red Structured Landscape V-31, 1997,

Acrylic and pigment on cream wove paper
42 x 57 cm | 16 x 22 inch

In the New York Studio, Photo Michael Levin

In the New York Studio, Photo Michael Levin